I was the original editor on Risa Morimoto's documentary WINGS OF DEFEAT, about three years ago (back when it was still called "BEYOND THE SUN"). I've written about it here before. Anyway, Risa's documentary is a deeply personal exploration of the history of the Tokkotai (aka. the Japanese 'special attack force' that the Kamikaze pilots were a division of) and the effect that the war had on a generation of young men (both in Japan and in the US). This is a very, very good documentary and while I'm bummed out that the version that is airing on PBS' [I]ndependent Lens this coming Tuesday, May 5th, is a shortened 52 minute cut, it's absolutely worth your time to watch. And then, if you feel inspired you can hit the PBS website for the film and vote for it if you like it. AND THEN, if you have the spare change, you can buy the full-length feature from the WINGS OF DEFEAT website, where you can also buy the follow up documentary that Risa and Linda Hoaglund made called WINGS OF DEFEAT: ANOTHER JOURNEY. (Not the best title in the world... Perhaps...)
Do try to check out the film. It really is worth your time.
I watched this back in March and have to say that without question it's the best film by Sono Sion that I've seen. Is it flawed? Yeah. But there's something incredible about watching a 4 hour long exploitation film about Catholic guilt, up-skirt photography and revenge.
Those in the loop about current Japanese film (which includes just about everyone who reads my blog, so I'm preaching to the converted) will already know about this. But for those who don't please check out these links for more info. (Japan Times; Jason Gray; Ground Report)
I will end this by saying I did a very interesting interview with Sono Sion for Midnight Eye where we talked at length about the making of Love Exposure as well as his highly anticipated adaptation of the legendary (and totally excellent) history of Black Metal book, LORDS OF CHAOS. Look for that on Midnight Eye in the coming months.
ps - I've been told that LOVE EXPOSURE, which played at Shibuya's EURO SPACE, was a smash hit and broke all box office records there. Not bad for a 4 hour long movie!
The feature documentary I co-wrote with writer/director Alexander Lee, The Real Shaolin, will be having its US Premier at the Los Angeles Asian Pacific Film Festival (aka. the VC Film Fest) this Saturday, May 2nd, 2009 at 5pm.
Regardless of my involvement in this film, I think that it's an interesting subject matter that is well made and executed. For all of the fans out there of Kung Fu movies and Asian martial arts, in general, this is a different view of the world of martial arts that shows the cold, commercial reality of Shaolin.
If you live in LA, definitely come to the Laemmle's Sunset 5 and see the film. I think you'll like it.
I've met him several times and even had an opportunity to interpret for him and can promise you that it's well worth your time to attend this talk. (Plus, it's free!) Not only is Kurosawa one of the best directors currently working in Japan, he's also very intelligent and articulate with an encyclopedic knowledge of world cinema -- as to be expect from a man who is both a professor and critical film theorist.
Japan Film Festival Symposium co-hosted by JVTA/ UCLA-JABA Theme: Creating Films for an International Audience
Date: March 10 (Tue) Time: Open 4:30pm Start 5:00pm Place: UCLA Korn Convocation Hall Admission: Free
Special Guest: Director Kiyoshi Kurosawa
Japan Film Festival Committee and Japan Visualmedia Translation Academy are proud to present prolific Japanese director; Kiyoshi Kurosawa. Mr. Kurosawa will speak about his experiences as a director and explain how to correlate Japanese culture through film. There will be a Q&A session at the end of this presentation.
Do not miss this exciting event!!
Due to the limited seating, please RSVP to contact@jffla.org with your name and number of attendees.
http://www.jffla.org/event?lang=en
Incidentally, I'm betting that the Japan Film Festival will screen TOKYO SONATA, even though it played at the LA Film Festival last November.
Link to the Midnight Eye interview with Kurosawa Kiyoshi.
Here's the trailer for one of my personal Kurosawa faves, CURE:
This isn't Japan† related, but I'm posting it because, well, I've been waiting for this day to come for a while now. Today's NY Times has what I felt is a mindbogglingly horrifying article on debt collecting from the recently deceased.
So why am I posting about it? Well, you see, I've long believed that it's only a matter of time before the collection agencies figure out how to enter the afterlife -- FLATLINERS like -- and get their payments* and this article appears to be the first broad step in that direction. The question is, how will they exact the payment? I think it'll be indentured servitude via the afterlife. Something like setting up a database or call a center from the land of the dead or something like that. (The plus side for the corporations is that the undead a) don't get tired and therefore don't need breaks and b) no health care costs or worker's comp claims to contend with.)
Anyway, you can read the article here and be gobsmacked by the total lack of decency and class that the DCM folks are operating under. I was particularly impressed by the three-week sensitivity training course that the operators undergo to better cajole the money out of the bereaved-- who incidentally are under no obligation to pay back the deceased's debt, but are never alerted to this fact.
"New hires at DCM train for three weeks in what the company calls “empathic active listening,” which mixes the comforting air of a funeral director with the nonjudgmental tones of a friend. The new employees learn to use such anger-deflecting phrases as “If I hear you correctly, you’d like...”
“You get to be the person who cares,” the training manager, Autumn Boomgaarden, told a class of four new hires."
What a bunch of vultures.
Try reading the article while listening to Faith No More's classic: 'Surprise! You're Dead!' I've embeded it below.
† Apparently in Japan there is a responsibility to pay debt, but this can be passed on to other (more distant) family members if the appropriate forms are filed with the government. But do you really want to mess with Japanese debt collectors - aka. the Yakuza?
*Incidentally, some people believe that this won't be the case. They feel that in fact credit will be given against your future offspring's indentured servitude. Could be...
People collect bugs in Japan. This isn't the something just for kids-- but in fact adults, with paychecks, buy them in stores or even on Yahoo! Auction. Look this one here ->
Anyhoo, it appears that sometimes folks also collect bugs to watch them fight. And sometimes they record these fights and post them on the interwubs with pro-wrestling announcements and flying graphics. Like this site: Japanesebugfights.com.
Before you think that this is a free-for-all, apparently there are rules. Three of them. And they are not to be broken. ("Rule 3: No Outside Weapons." !?)
I will freely admit that I couldn't stop watching these videos and that I had the creeps the whole time. That queasy feeling you have in your stomach? It's the bugs.
Here're a couple of the fights. (For some reason, the folks who do this site love fighting with scorpions. I've tried to mix it up a bit.)
Oh! And if you have your own bug fights that you've recorded and want to share with Japan Bug Fights, go for it! There's a submission link on their front page.
Woah, so I'm like totally, totally, really, unbelievably late in posting this. And I'm sure that most of you fine folks who read this blog have already checked it out so maybe this is totally useless, and yet I'll announce it nonetheless...
The Midnight Eye Best of 2008 list is finally up on-line! As usual, I'm represented there. This is something like year seven for me to contribute to the list and as always, you should keep in mind that this is just one man's opinion. (For better or for worse...)
The one film that I would've totally added to my list if I had seen it in time is Johnnie To's SPARROW. What an amazing film. It's as if LE SAMOURAI were a light-footed musical with some Johnnie To ELECTION tossed in for good measure. Anyway, it'll undoubtedly show up on my best of 2009 list, just as a super advanced head's up.
Hi Blog,
